If you are reading this blog, chances are I survived the back to school rush of 2016. Whew!
Four kids make back to school a challenge. There’s all of the Open Houses, school supply lists, clothes shopping, and new schedules. As luck would have it, my four children are attending three different schools, making it even more chaotic.
If you are a last minute shopper, or forgot a few items, you just might be duking it out Jingle All The Way style in isle ten. And if you are looking for a TI 84+ calculator. . . sorry, we got the last one.
This past week has been full of real life conflict that is enough to make any mom want to move to Australia with Alexander. Just like us, our characters’ lives are full of real life conflict, too.
Have you built that into the ebb and flow of your novel. Characters seem real when we give them the experiences we go through every day and they must navigate the potholes.
Here are a few tips on How To Add Real Life Conflicts To Your Novel that make it easier for readers to identify with your characters.
How To Add Real Life Conflict To Your Novel:
*Brainstorm a list of real life situations your character might face at the time of year your story takes place. It helps to focus in on the time of year when your novel takes place. List holidays, professional busy seasons, personal hobbies that might draw a character away from their goals, and even key times for other characters when they are not as supportive due to outside pressures.
*Select the events that are highest in conflict in conjunction with genre suitability. At Christmas, a chic-lit novel might have shopping woes and complicated to shop for mother-in-laws. Although those might work in a suspense, it would be much more helpful to make a character more vulnerable, having to shop after dark when there is a chance their stalker would wait for them in the parking lot while their arms were weighed down with packages. (For more on plot conflict and escalation techniques check out my book here.)
*Intensify the conflict by making us care even more. If a character has to chose between the dangers of facing that parking lot when your life is at risk and not finding a special gift for your mom’s last Christmas, the tension increases. The reader cares about the character’s safety and the last Christmas for a mom and her daughter. Using these competing values is a trick I learned from Susan May Warren in her book Deep And Wide: Advanced Fiction Techniques.